“Lessons from Screenwriting: Creating Compelling Scenes” with Beverly Chukwu
November 2, 2022 6:30 PM - 9:30 PM CDT
$59.00 – $119.00
- This event has passed.
This Event is for Members only.
Click here to learn more about benefits of membership
$59 for Members
$119 for Non-Members
All registrants will have access to the class recording for one month.
Many writers have been taught that no scene is greater than the sum of its parts. To some extent, this is true. However, one of the key components for creating compelling forward action in your writing is hidden in the scenes themselves.
Each scene in your script, play, story, or novel must have its own momentum, a tiny arc that plays into the larger story arc of your project. In this course, we’ll take a look at the ways scene is capitalized to make the most compelling narrative journeys in screenplays. You’ll not only analyze what makes a great scene, but you’ll also get the chance to make your own short two-scene sequence that will get you to think about the relationship between scene and narrative “flow.”
This is a class for writers of all disciplines. Whether you’re an emerging screenwriter, a short story writer, a novelist, or a playwright, this course will empower you with the tools for elevating your writing. A compelling scene isn’t a story, but a compelling scene has the power to shift momentum and shape your reader’s relationship with your work; scenes keep them excited!
TAKE THIS CLASS IF
- You’re writing a novel, short stories, or screenplays.
- You’d like to make your scenes more powerful and dynamic.
- You’re starting a new project.
- You’re an emerging writer, looking to understand the foundation for creating good scenes.
- You’re a writer of any genre who wants to elevate the narrative momentum of your current work-in-progress.
The deadline to register for this class is Tuesday, November 1 at 5:00 PM CST.
Instructor
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Beverly “Bev” Chukwu is a Nigerian American writer, director, and script consultant. Her projects have screened at the African Film Festival Atlanta; Women in Horror Film Festival; Cine Las Americas; AGLIFF; and more. Along with her achievements as a filmmaker, including a “Best First-Time Director” award at the Portland New Alternative Voices Festival, Bev’s screenplay Prince of Lavendale Street was the feature winner in the 2021 BlueCat Screenplay Competition, and her video essay “Sometimes Black” is now used as educational material at the University of Texas at Austin. She has spent over seven years working in various mental health arenas and nearly a year providing behavior therapy to neurodivergent youth and adults. Bev has received fellowships from the Black List x WIF Episodic Lab; Google’s YouTube Originals Black Voices Creator Program, which also provided financial support for her narrative short film “Princess”; and the James A. Michener Center for Writers, where she received an MFA in screenwriting and fiction.
For over three years, Bev served as a Development Executive for Pipeline Media, reading and elevating the work of writers worldwide. Bev continues to advocate for filmmakers as EA to the Head of Film and Creative Media at the Austin Film Society and through her relationships teaching for the nationally acclaimed Torch Literary Arts, the Writers League of Texas, Austin Bat Cave, and other local non-profits.
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Closed captioning is available for all online classes and special events.
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