This Event is for Members only.
Click here to learn more about benefits of membership
Can’t make it to the live class? No problem! All classes are recorded and made available to class registrants for one month.
Learn how to craft well-written horror that creates visceral reactions in your readers they won’t soon forget.
The objective of every writer is to create work that makes our readers feel something. In the case of horror, that something is dread, tension, terror, and sometimes disgust. In this 3-hour class, students will learn how to craft a compelling beginning that will hook your readers, and keep that momentum going throughout the story.
We’ll explore how what we write is just as important as what we don’t write, what exactly keeps horror readers invested, and how to create dread and tension with pacing. Writers will leave the class with several premises for a horror story, a list of beats for a story, and a roadmap to help them execute those beats for maximum tension and dread.
TAKE THIS CLASS IF:
The deadline to register for this class is Friday, October 6 at 5:00 PM CDT.
SCHOLARSHIP INFORMATION
The WLT is committed to making our online classes accessible to all writers including writers who do not have the financial means to pay for programming. Five (5) seats in this class have been set aside for scholarship recipients to attend free of charge. Please fill out this application no later than 2 days prior to the class to be considered for one of the scholarship seats. We do not ask for any corroborating documents; we only ask that you help us understand your situation. If you are selected for one of the available seats you will be notified via email (from wlt@writersleague.org) no later than 24 hours before the start of the class. Please note, each writer is limited to no more than four (4) total scholarship seats per catalog season.
Tonia Ransom is the World Fantasy Award-winning creator and executive producer of “NIGHTLIGHT”, an IGNYTE Best Fiction Podcast featuring creepy tales written by Black writers, and Afflicted, a horror thriller best described as Lovecraft Country meets True Blood. Tonia has been scaring people since the second grade, when she wrote her first story based on Michael Myers. She successfully scared her teacher—just not in the way she intended, but she got hooked on that feeling and the rest is history. She lives in Austin, Texas. You can follow Tonia @missdefying on all the socials. Risen is her debut novel.Before purchasing, please read all policies as noted below and on our Classes page.
If your browser has difficulty with our website store, or if you prefer to mail in a check, click here for a class registration form. The document provides instructions on where to mail it. If you prefer this option, please email wlt@writersleague.org with a copy of the form as well to ensure we add you to the class roster as soon as possible.
Expecting to see the member price, but it’s not appearing?
Confirm you are logged into your account first and foremost. The member price will only appear when you are logged into your account and have an active membership on file. If you are having trouble accessing your account, please email member@writersleague.org and explain the situation.
Class & Event Registration Policy
Once a purchase has been made, registrations are not refundable and cannot be transferred to a different class or event. No exceptions will be made. If you purchase a registration and then find you cannot attend the class or event, someone else can attend in your stead. Simply contact us at wlt@writersleague.org and let us know the name and contact information for the person who will be using the registration so that we can update the class or event roster.
Credit Card Transaction Handling Fee Policy
All credit card transactions will incur a 4% handling fee. If you’d prefer to pay by check for membership, a class, or an event, you can use the provided forms on the membership or event pages and mail to: WLT, P.O. Box 14355, Austin, TX, 78704.
HOW WLT CLASSES WORK:
Our classes offer a combination of lecture and practical exercises, determined by the individual instructor, on focused aspects of the craft and business of writing. Your fellow participants will come from a range of writing experience, from beginners to people with MFA degrees and published books. WLT instructors, participants, and administrators all work together to create a welcoming, supportive environment.
If you haven’t taken a class with us in recent years, feel free to email the WLT staff at wlt@writersleague.org if you’d like to discuss whether our programming is the right fit for your needs.
HOW ONLINE CLASSES WORK:
Once you register for the class, you’ll receive an email with detailed instructions no later than 48 hours before the class date. You should expect 2-2.5 hours of direct teaching and 30 minutes of Q&A (for three hours total). If you need to leave the class early or can’t attend the class on that date, all registrants will have access to the recording for one month after the class date. No microphone or camera required, just an Internet connection capable of streaming video. All online classes are hosted on Zoom. To learn more about how Zoom works, click HERE.
Plan to log in to the online platform an hour before the class so that you can update your software or any other settings required to access the platform. (Updates usually only take a few minutes, but you don’t want to wait until the beginning of class.) Questions? Email us at wlt@writersleague.org.
This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department. Visit Austin at NowPlayingAustin.com.
Writers’ League of Texas classes and workshops are also funded in part by the Texas Commission on the Arts – Investing in a Creative Texas. For more information, go to www.arts.texas.gov.
This project is also supported in part by an award from the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.
This project is supported in part by the Mid-America Arts Alliance. For more information, go to www.maaa.org.
