“How to Make Twitter a Writer’s Best Friend” with Richard Santos
October 20, 2021 6:30 PM - 9:30 PM CDT$49.00 – $109.00
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This Event is for Members only.
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$49 for Members
$109 for Non-Members
All registrants will have access to the class recording for one month.
Want to learn to use Twitter as a writer–not just to promote yourself but to engage in the literary community?
An active social media presence is practically required for writers in the twenty-first century. Twitter is the friendliest, easiest to use and most helpful social media platform for writers. Every day, thousands of writers, agents, and editors take to Twitter to find new books, give writing advice, and take part in a dynamic literary community. This class will help writers learn the basics of Twitter, allow them to explore advanced options (such as lists and hashtags), learn proper Twitter etiquette when interacting with agents or editors, and show how to enter “pitch contests” that can change a writer’s life. Whether you’re new to the platform or a seasoned user, we’ll learn how to turn Twitter into a writer’s best friend.
Each participant should come to class with an active Twitter account and a device capable of accessing the internet.
TAKE THIS CLASS IF
- You’ve been told to get active on social media but aren’t sure what to do on it.
- You want to post on social media about something other than your own writing.
- You want to learn to listen in on professional writers, agents, and editors talk about the business.
The deadline to register for this class is Wednesday, October 20 at 5:00 PM CDT.
Before purchasing, please read all policies as noted below and on our Classes page.
If your browser has difficulty with our website store, or if you prefer to mail in a check, click here for a class registration form. The document provides instructions on where to mail it. If you prefer this option, please email firstname.lastname@example.org with a copy of the form as well. We are working out of our office at this time.
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Class & Event Registration Policy
Once a purchase has been made, registrations are not refundable and cannot be transferred to a different class or event. No exceptions will be made. If you purchase a registration and then find you cannot attend the class or event, someone else can attend in your stead. Simply contact us at firstname.lastname@example.org and let us know the name and contact information for the person who will be using the registration so that we can update the class or event roster.
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HOW WLT CLASSES WORK:Our classes offer a combination of lecture and practical exercises, determined by the individual instructor, on focused aspects of the craft and business of writing. Your fellow participants will come from a range of writing experience, from beginners to people with MFA degrees and published books. WLT instructors, participants, and administrators all work together to create a welcoming, supportive environment.
If you haven’t taken a class with us in recent years, feel free to email WLT Program Director Sam Babiak at email@example.com if you’d like to discuss whether our programming is the right fit for your needs.
HOW ONLINE CLASSES WORK:
Once you register for the class, you’ll receive an email with detailed instructions no later than 48 hours before the class date. You should expect 2-2.5 hours of direct teaching and 30 minutes of Q&A (for three hours total). If you need to leave the class early or can’t attend the class on that date, all registrants will have access to the recording for one month after the class date. No microphone or camera required, just an Internet connection capable of streaming video. All online classes are hosted on Zoom. To learn more about how Zoom works, click HERE.
Plan to log in to the online platform several hours before the class so that you can update your software or any other settings required to access the platform. (Updates usually only take a few minutes, but you don’t want to wait until the beginning of class.) Questions? Email us at firstname.lastname@example.org.
This project is also supported in part by an award from the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.