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All registrants will have access to the class recording for one month.
Learn what goes into a proposal, why and when you need it, and how to write one that stands out.
In this three-hour class, Cinelle Barnes will share not only the basics of proposal writing but a decade’s worth of essential takeaways from her work as an author and editor of several nonfiction books, a book coach to several essayists and memoirists, a screener and judge for various literary contests and submissions calls, and a former grant and proposal writer for a global organization.
She’ll help you understand what an editor or agent might look for in a proposal, what kinds of information or language will help you stand out, how to organize and format your particular proposal for greater impact, and how to go from promising idea to deliverable concept. Using a slide presentation, worksheets, and excerpts from real (acquired, rejected, and in-progress) book proposals of her own, you’ll get a behind-the-scenes tour of how Cinelle has honed her proposal writing skills over time… resulting in several published books and maximal, compounding returns.
TAKE THIS CLASS IF
The deadline to register for this class is Wednesday, September 14 at 5:00 PM CDT.
Cinelle Barnes is a formerly undocumented memoirist, essayist, and educator from Manila, Philippines, and is the author of Monsoon Mansion: A Memoir (Little A, 2018, Booklist starred review) and Malaya: Essays On Freedom (Little A, 2019), and the editor of the New York Times New & Noteworthy book, A Measure of Belonging: 21 Writers of Color On the New American South (Hub City Press, 2020). She is currently at work on an immigrant travel memoir.
Cinelle earned an MFA in Creative Nonfiction from Converse College. Her writing has appeared or been featured in the New York Times, Longreads, Garden & Gun, Electric Literature, Buzzfeed Reader, Literary Hub, Hyphen, Coastal Living, and CNN Philippines, among others. Her essay, “Carefree White Girls, Careful Brown Girls”, is anthologized in A Map Is Only One Story: Twenty Writers on Immigration, Family, and the Meaning of Home (Catapult, 2020). Cinelle was a contributing editor, instructor, and writer at Catapult, and she served as a juror for the inaugural Pulitzer Prize for Memoir.
Cinelle’s work has received fellowships and grants from the Sustainable Arts Foundation, VONA, Kundiman, the John and Susan Bennett Memorial Arts Fund, the Lowcountry Quarterly Arts Grant, and Capita. Her debut memoir was listed as a Best Nonfiction Book of 2018 by Bustle and nominated for the 2018 Reading Women Nonfiction Award. She is the 2021 Vulgar Geniuses Nonfiction Honorary Awardee for her writing and social justice work and 2021 writer-in-residence at Pasadena City College, and was a Focus Fellowship artist-in-residence at AIR Serenbe in 2020, a short-term writer-in-residence at City of Asylum in 2019, and the 2018-19 writer-in-residence at the Halsey Institute of Contemporary Art in Charleston, SC, where she and her family live. In 2021, Cinelle was named one of 50 Most Influential by Charleston Business, joining thought leaders in state and local politics, the arts, academia, activism, healthcare, and business.Before purchasing, please read all policies as noted below and on our Classes page.
If your browser has difficulty with our website store, or if you prefer to mail in a check, click here for a class registration form. The document provides instructions on where to mail it. If you prefer this option, please email wlt@writersleague.org with a copy of the form as well to ensure we add you to the class roster as soon as possible.
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Class & Event Registration Policy
Once a purchase has been made, registrations are not refundable and cannot be transferred to a different class or event. No exceptions will be made. If you purchase a registration and then find you cannot attend the class or event, someone else can attend in your stead. Simply contact us at wlt@writersleague.org and let us know the name and contact information for the person who will be using the registration so that we can update the class or event roster.
Credit Card Transaction Handling Fee Policy
All credit card transactions will incur a 4% handling fee. If you’d prefer to pay by check for membership, a class, or an event, you can use the provided forms on the membership or event pages and mail to: WLT, P.O. Box 14355, Austin, TX, 78704.
HOW WLT CLASSES WORK:
Our classes offer a combination of lecture and practical exercises, determined by the individual instructor, on focused aspects of the craft and business of writing. Your fellow participants will come from a range of writing experience, from beginners to people with MFA degrees and published books. WLT instructors, participants, and administrators all work together to create a welcoming, supportive environment.
If you haven’t taken a class with us in recent years, feel free to email the WLT staff at wlt@writersleague.org if you’d like to discuss whether our programming is the right fit for your needs.
HOW ONLINE CLASSES WORK:
Once you register for the class, you’ll receive an email with detailed instructions no later than 48 hours before the class date. You should expect 2-2.5 hours of direct teaching and 30 minutes of Q&A (for three hours total). If you need to leave the class early or can’t attend the class on that date, all registrants will have access to the recording for one month after the class date. No microphone or camera required, just an Internet connection capable of streaming video. All online classes are hosted on Zoom. To learn more about how Zoom works, click HERE.
Plan to log in to the online platform an hour before the class so that you can update your software or any other settings required to access the platform. (Updates usually only take a few minutes, but you don’t want to wait until the beginning of class.) Questions? Email us at wlt@writersleague.org.
This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department. Visit Austin at NowPlayingAustin.com.
Writers’ League of Texas classes and workshops are also funded in part by the Texas Commission on the Arts – Investing in a Creative Texas. For more information, go to www.arts.texas.gov.
This project is also supported in part by an award from the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.
This project is supported in part by the Mid-America Arts Alliance. For more information, go to www.maaa.org.
