
“Plot vs Subplot, and Other Narrative Structures” with John Pipkin
November 20, 2024 6:30 PM - 9:30 PM CST
$59.00 – $119.00
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This Event is for Members only.
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$59 for Members
$119 for Non-Members
Can’t make it to the live class? No problem! This class will be recorded and made available to class registrants until January 31, 2025.
This class is a part of “The Novelist’s Toolbox” class package.
Plot can seem like one of those elusive storytelling elements that resists definition and tempts us to say with exasperation: “I can’t explain it, but I know it when I see it.”
Often, it’s easier to see where and when a plot fails, and far more difficult to recognize why a plot succeeds. In this class, we’ll identify those elements of plotting that help to organize, structure, and make sense of a narrative. We’ll take a deep dive into plot structure, its historical development, how it holds a narrative together in a short story or a novel, how to make use of structure in your own storytelling, and when to abandon traditional plot structures and try something else. Beginning with a brief look at some of the origins of narrative form, we’ll examine a variety of plot structures, including three-act structure, five-act structure, the epistolary form, the hero’s journey, Freytag’s pyramid, story wheels, and other developments. We’ll also look at the difference between main plots and anecdotes, subplots, and digressions, how to use them and when to leave them out. And finally, we’ll discuss non-traditional plotting, and how to find a structure (or non-structure?) that best suits the story that you’re trying to tell.
TAKE THIS CLASS IF:
- You want to tell stories that pull readers in and raise their expectations.
- You have a great idea for a series of events you want to describe, but you are struggling to turn it into a short story or novel.
- You want to discover how to identify (or modify) a plot structure that will help you achieve your story’s goals.
The deadline to register for this class is Wednesday, November 20 at 5:00 PM CST.

CONTINUING YOUR WRITING JOURNEY
SCHOLARSHIP INFORMATION
The WLT is committed to making our online classes accessible to all writers including writers who do not have the financial means to pay for programming. Five (5) seats in this class have been set aside for scholarship recipients to attend free of charge. Please fill out this application no later than 2 days prior to the class to be considered for one of the scholarship seats. We do not ask for any corroborating documents; we only ask that you help us understand your situation. If you are selected for one of the available seats you will be notified via email (from wlt@writersleague.org) no later than 24 hours before the start of the class. Please note, each writer is limited to no more than four (4) total scholarship seats per catalog season.


John Pipkin is the Director of the Undergraduate Creative Writing Program at the University of Texas-Austin and also teaches in the low-residency MFA Program at Spalding University. Originally from Baltimore, he holds a Ph.D. in 19th-century British Literature and is the author of the critically-acclaimed novels: Woodsburner (Nan A Talese/Doubleday 2009) which won the New York Center for Fiction First Novel Prize, and The Blind Astronomer’s Daughter (Bloomsbury 2016). He has received fellowships to MacDowell, Yaddo, Dobie-Paisano, and the Gullkistan Center for Creativity in Iceland. He is also the recipient of the 2021 Harry Ransom Award for Excellence in Teaching at UT-Austin.