A_E Conference

Life-changing for serious writers.
— 2019 Conference Attendee

The 2021 Agents & Editors Conference (September 17-19) marks our 28th conference and we couldn’t be more excited to welcome more than 200 attendees, authors, and publishing professionals to Austin once again for one of the best conference experiences available to writers.

This year, for the first time, we are offering both an in-person and a virtual registration option. Our Virtual All Access registrants will be able to enjoy a livestream of the event on Saturday and Sunday, plus a one-on-one consultation with an agent or editor (optional). In addition, all virtual and in-person attendees will be invited to special pre-conference live webinars the week before the event – the chance to meet other writers, learn valuable tips for pitching a project, and hear published authors and their book editors discuss specific genres.

The WLT’s Agents & Editors Conference is one of the nation’s premier conferences for writers. Every year, we bring together nationally-known literary agents and book editors and other industry professionals with writers at all stages of the writing process for a weekend of conversation and community around the craft of writing and the practical steps toward publication.

For writers with finished manuscripts, the conference’s one-on-one consultations with agents and editors offer a unique opportunity to pitch their work directly to publishing professionals.

For writers working toward a completed manuscript, the conference’s genre meet-ups, panels, presentations, and general sessions offer an abundance of useful information and a friendly, relaxed atmosphere for informal chats with agents, published authors, and fellow writers from all genres and backgrounds.

Our 2021 Agents & Editors Conference marks our first in-person event since early 2020 and we are excited to gather together again as a community. Because we also understand that not everyone will be able to attend in person, we’ve added a virtual registration option to this year’s event in the hopes of bringing the weekend’s valuable programming to as many writers as possible.

We hope to see you in September!

2021 Agents & Editors Conference

What you need to know

The 2021 Agents & Editors Conference will take place in-person the weekend of September 17-19 at the Hyatt Regency on Lady Bird Lake in Austin, TX. We are offering both an in-person registration option and two virtual registration options. Please read the details below and follow this link for pricing and to register

In-Person Registration (limited to 160 tickets) includes:

  • (1) 10min. one-on-one consultation with an agent or an editor. Registrants will have the opportunity to submit their top choices and consultations will be assigned with those preferences in mind. 
  • Access to video recordings (all 21 breakout sessions, plus select general sessions) of the weekend’s programming. This means you won’t miss a thing – even the sessions you can’t sit in on in-person will be accessible to you. There will be a live stream during the weekend. Recordings will be made available after the conference concludes through December 31, 2021.
  • Entry to virtual pre-conference events, including genre sessions (8 total), the Practice Makes Pitch Perfect presentation, and the Pitch Lab. These virtual pre-conference events will be live webinars and will take place on September 13 (Genre Sessions), September 14 (Genre Sessions), and September 16 (Practice Makes Pitch Perfect presentation, followed by the Pitch Lab). Each pre-conference event will be recorded and made available to all registrants through December 31, 2021.
  • Access to the exhibitor marketplace at the conference venue.
  • Access to a discounted hotel rate at the conference venue. 
  • Access to a discounted parking rate at the conference venue. 

Virtual Registration – All Access (limited to 100 tickets) includes:

  • (1) 10min. one-on-one consultation (optional) with an agent or an editor via Zoom during the conference weekend. Registrants will have the opportunity to submit their top choices and consultations will be assigned with those preferences in mind. 
  • Access to a livestream from the event during the conference weekend, including general sessions and select breakout sessions.
  • Access to video recordings (all 21 breakout sessions, plus select general sessions) of the weekend’s programming. Recordings will be made available after the conference concludes through December 31, 2021.
  • Entry to virtual pre-conference events, including genre sessions (8 total), the Practice Makes Pitch Perfect presentation, and the Pitch Lab. These virtual pre-conference events will be live webinars and will take place on September 13 (Genre Sessions), September 14 (Genre Sessions), and September 16 (Practice Makes Pitch Perfect presentation, followed by the Pitch Lab). Each pre-conference event will be recorded and made available to all registrants through December 31, 2021.

Virtual Registration – Recordings Only includes:

  • Access to video recordings (all 21 breakout sessions, plus select general sessions) of the weekend’s programming. Recordings will be made available after the conference concludes through December 31, 2021.

The 2021 A&E Conference program is available to view here

The schedule outline for the 2021 A&E Conference includes:

Friday, September 17

  • Check-in: Begins at 4:00 PM CDT at the conference venue, the Hyatt Regency Austin. 
  • Welcome Reception: Begins at 5:30 PM CDT at the conference venue. Drinks, snacks, and casual conversation. 

Saturday, September 18

  • Opening discussion with an industry insider from a major publishing imprint.
  • Panels, Presentations, and Conversations featuring published authors, agents, editors, publicists, booksellers, and other special guests.
  • Luncheon with a keynote speaker, with complimentary copy of the speaker’s book. 
  • Evening general session, special One Page Salon reading event to honor the WLT Book Awards, including drinks, snacks, and entertainment. 
  • One-on-one consultations with agents and editors. All registrants for the in-person event receive one complimentary consultation. In addition, there are 100 virtual registrations available that include one complimentary consultation. 

Sunday, September 19

  • Panels, Presentations, and Conversations featuring published authors, agents, editors, publicists, booksellers, and other special guests.
  • One-on-one consultations with agents and editors.
  • Closing Luncheon, no additional charge. 

In addition, the 2021 A&E Conference includes several virtual pre-conference events that will be accessible to all in-person registrants as well as registrants who opt for the virtual all access registration. These pre-conference events include: 

Monday, September 13

  • Genre Sessions, including General Fiction (Novels & Short Fiction), Science Fiction & Fantasy, Mystery/Thriller/Suspense, and Romance. These sessions will start at 6:00 PM CDT on Zoom. 

Tuesday, September 14

  • Genre Sessions, including Historical Fiction, Kid Lit, Nonfiction, and Memoir. These sessions will start at 6:00 PM CDT on Zoom. 

Thursday, September 16

  • Practice Makes Pitch Perfect presentation at 7:00 PM CDT on Zoom. 
  • The Pitch Lab, including small group breakout sessions immediately following the presentation.

See the presenters for the pre-conference events and their bios here.

 Program Note:

The WLT reserves the right to change or cancel any speaker and/or session without notice.

Hyatt Regency Austin, 208 Barton Springs, Austin, Texas, USA 78704

The Hyatt Regency Austin is the 2021 conference hotel. The guest rooms offer spectacular views of Town Lake, downtown Austin, and the Hill Country. Rooms are $185/night plus tax. The cut-off date to register under the group block is August 26, 2021.

To reserve your room at the Hyatt Regency, click here

To learn more about the Hyatt Regency’s COVID-19 precautions, click here

The 2021 A&E Conference will include literary agents from a notable list of reputable literary agencies.

Please note: This is not a complete list of agents who will be attending the 2021 A&E Conference. Check back in for updates.

Kirsten Aguilar HeadshotKirsten Aguilar joined Ladderbird Literary Agency after interning at Folio Literary Management. She is currently building her list in adult fiction and nonfiction, and is actively seeking literary fiction with a magical realist bent, narrative nonfiction, and braided memoir. She is dedicated to elevating stories that have been underrepresented in publishing and is looking for work that centers BIPOC and LGBTQIA+ experience. She is particularly drawn to atmospheric writing with a strong sense of place, work that grapples with climate change, and sneakily propulsive plots. Kirsten is based in Chicago and holds an MFA in Creative Writing from the University of Notre Dame where she taught creative writing to undergraduate students. She loves to work collaboratively with authors while always honoring their vision for their work. You can find her on Twitter @LitAgentAguilar.

Kirsten is actively seeking: 

Adult Fiction: High Concept Commercial, Literary, Women’s

Adult Nonfiction: Narrative, Memoir, Pop Culture, Essays

Noah Ballard HeadshotNoah Ballard is a literary agent at Verve Talent & Literary Agency. After graduating from the University of Nebraska—Lincoln, he began his career at Emma Sweeney Agency before moving to Curtis Brown, Ltd. to build his own list of fiction and non-fiction for adults and children. Noah joined Verve in 2021, where he specializes in platform-driven non-fiction, memoir, and journalism, as well as literary fiction, thrillers and crime fiction and YA, middle-grade fiction, and picture books. A New Jersey native, Noah lives in Brooklyn, NY.
 
Noah is actively seeking: 
Adult Fiction: High Concept Commercial, Literary, Women’s, Mystery/Thriller/Suspense, Science Fiction/Fantasy, Short Fiction, Graphic Novels 
 
Adult Nonfiction: Narrative, Current Events, History, Biography, Memoir, Pop Culture, Essays, Lifestyle, Self-Help
 
Children’s: YA Fiction (General, Mystery/Thriller/Suspense, Historical Fiction, Science Fiction/Fantasy, Graphic Novels), YA Nonfiction, MG Fiction (General, Mystery/Thriller/Suspense, Historical Fiction, Science Fiction/Fantasy, Graphic Novels), MG Nonfiction, Picture Book, Early Reader
 
To learn more, read our interview with Noah here.
 

Maggie Cooper HeadshotMaggie Cooper is an agent with Aevitas Creative Management, representing adult fiction and select nonfiction projects. Based in Boston, Maggie joined Aevitas in 2018. She holds a degree in English from Yale University, attended the Clarion Writers Workshop, and earned her MFA in fiction from the University of North Carolina at Greensboro, where she served as an editor for The Greensboro Review. Prior to becoming an agent, she worked in the world of independent and university presses, as a bookseller, and as a teacher to students ages 10 through 85. Maggie is actively seeking imaginative, genre-bending literary fiction; capacious historical novels; beautifully told queer stories; and smart, feminist romance. Her other loves include epistolary novels, well-earned happy endings, and narratives that disrupt cisness, whiteness, and the heteropatriarchy.

Maggie is actively seeking: 

Adult Fiction: Literary, Women’s, Romance, Short Fiction, Graphic Novels 

Adult Nonfiction: Pop Culture, Essays, Graphic Memoir

To learn more, read our interview with Maggie here.

Stephanie Delman joined Sanford J. Greenburger Associates in early 2012, and has since developed her list with a focus on adult fiction: literary/upmarket, psychologically propulsive suspense, near-historical and non-Eurocentric historical fiction, light horror, and novels that play with genre and dip a toe into the speculative, magical, and/or surreal. Some of Stephanie’s buzzwords in fiction: hauntings, migrations, intergenerational trauma, inheritance, hunger, devotion, curses, competition, cultural commentary, wit, and whimsy. Stephanie also represents a limited selection of narrative nonfiction projects by authors with established platforms and diverse perspectives. In both fiction and nonfiction, Stephanie favors authenticity, underrepresented voices, and feminist narratives. A graduate of Johns Hopkins’ Writing Seminars program, Stephanie considers herself a “hands-on” agent and is eager to work with debut authors who are serious about their craft. Her clients include NYT bestseller Zakiya Dalila Harris (THE OTHER BLACK GIRL), Barnes & Noble Discover author Julia Fine (WHAT SHOULD BE WILD and THE UPSTAIRS HOUSE), national bestseller Serena Burdick (THE GIRLS WITH NO NAMES), NEA fellows Jami Nakamura Lin (THE NIGHT PARADE) and Theodore Wheeler (KINGS OF BROKEN THINGS), as well as Jenny Tinghui Zhang, Amy Feltman, Monet P. Thomas, Alison Wisdom, Katie M. Flynn, and many more.

Stephanie will be available for virtual consultations only during the conference weekend and will not be in attendance at the in-person event.

Stephanie is actively seeking: 

Adult Fiction: High Concept Commercial, Literary, Historical Fiction

To learn more, read our interview with Stephanie here.

Ronald Gerber is a literary agent and manages foreign rights, permissions, and contracts at Lowenstein Associates. Before joining the Lowenstein team in 2019, he spent several years in literary scouting at Sanford J. Greenburger Associates and Maximum Films & Management and supported two agents at Writers House. Ronald is a proud graduate of Bard College at Simon’s Rock and received his B.A., summa cum laude with high honors, from Clark University. Ronald’s clients have books forthcoming with Simon & Schuster, St. Martin’s Press, and more. His focus is on cinematic stories with strong hooks and relatable characters, and he is always looking for projects from queer, BIPOC, and other underrepresented authors. He is actively building his list in thriller/mystery, historical and contemporary fiction, romance, grounded sci-fi, narrative nonfiction, memoir/biography, and middle grade. For more information, see Ronald’s manuscript wish list at https://www.manuscriptwishlist.com/mswl-post/ronald-gerber/. Follow him on Twitter @RGerberAgent.

Ronald is actively seeking: 

Adult Fiction: High Concept Commercial, Women’s, Mystery/Thriller/Suspense, Romance, Historical Fiction, Science Fiction/Fantasy

Adult Nonfiction: Narrative, Current Events, Pop Culture, History, Biography, Memoir 

Children’s: MG Fiction (General) 

To learn more, read our interview with Ronald here.

Alia Hanna Habib is a literary agent at the Gernert Company. She began her publishing career as a publicist at Houghton Mifflin Harcourt, and her in-house publicity experience informs her close working relationships with her clients. She represents narrative nonfiction, memoir and literary fiction, including Nikole Hannah-Jones and the New York Times’ 1619 Project’s forthcoming book series; Clint Smith’s How the Word is Passed; and Lauren Oyler’s Fake Accounts. Her authors have been awarded the Pulitzer Prize, the National Book Critics Circle Award, and the LA Times Book Prize, among others, and have been nominated for the Edgar Awards, PEN Awards and National Book Award.

Alia is actively seeking: 

Adult Fiction: Literary, Short Fiction, Poetry 

Adult Nonfiction: Narrative, Current Events, History, Biography, Memoir, Pop Culture, Essays

Haley Heidemann is a literary agent at William Morris Endeavor, representing adult fiction, narrative nonfiction, and pop culture. In the fiction space, she is looking for upmarket commercial and literary fiction with a strong voice. She is drawn to novels with complex female characters, dark female friendships and relationships, and a fun family saga. For non-fiction, she’s looking for voice-driven narratives, pop culture, sex and dating, essay collections, thought leaders, and lifestyle. In both, she is looking for books that move her and say something subversive about our culture.

Haley is actively seeking:

Adult Fiction: High Concept Commercial, Literary, Women’s, Mystery/Thriller/Suspense

Adult Nonfiction: Narrative, Memoir, Pop Culture, Essays, Lifestyle, Self-Help

To learn more, read our interview with Haley here.

Allison Hunter began her publishing career in 2005 working for the Los Angeles-based literary publicity firm Kim-from-L.A, and was an agent at InkWell Management and the Stuart Krichevsky Literary Agency before joining Janklow & Nesbit. She is actively acquiring literary and commercial fiction, especially book club and women’s fiction, as well as memoir, narrative nonfiction, cultural studies and pop culture. She is always looking for great love stories, campus novels, family epics, smart beach reads and for non-fiction projects that speak to the current cultural climate. Allison has a B.A. in American Studies and Creative Writing from Stanford University and a J.D. from the University of Chicago Law School. A native of the San Francisco Bay Area, she currently splits her time between Austin, TX and Hyde Park, NY.

Allison is actively seeking: 

Adult Fiction: High Concept Commercial, Literary, Women’s, Mystery/Thriller/Suspense, Romance, Historical Fiction

Adult Nonfiction: Narrative, Current Events, History, Memoir, Pop Culture, Essays, Lifestyle, Family/Parenting, Self-Help

To learn more, read our interview with Allison here.

Renée Jarvis is an agent at Triangle House Literary. Born and raised in New York City, she graduated from Brooklyn College with a BFA in Creative Writing. She previously worked as an assistant and agent at MacKenzie Wolf Literary and spent two years as a writing teacher at the non-profit organization Legal Outreach.

Renée is seeking narrative nonfiction, adult speculative, upmarket, and literary fiction, and children’s books. She is looking for works that center POC and LGBTQIA+ voices and is particularly drawn to the work of Black writers across the African diaspora. In nonfiction, she is interested in pop culture analysis, cultural histories, linguistics, food writing, international stories, and explorations of music, fashion, and art. In fiction, she loves robust plots, bold characters with a sense of humor, unique formats, stories that explore friendship and family, and lyrical prose.

Renée is actively seeking: 

Adult Fiction: High Concept Commercial, Literary, Romance, Science Fiction/Fantasy, Short Fiction, Graphic Novels

Adult Nonfiction: Narrative, Current Events, History, Memoir, Pop Culture 

Children’s: YA Fiction (General, Mystery/Thriller/Suspense, Science Fiction/Fantasy, Graphic Novels), MG Fiction (General, Mystery/Thriller/Suspense, Science Fiction/Fantasy, Graphic Novels), Picture Books

Kat Kerr joined Donald Maass Literary Agency in 2019. She graduated from Florida State University with a Bachelors in English in 2009 and is drawn to literary and commercial voices within the adult and YA markets, as well as adult nonfiction. Kat is passionate about creating space in this industry for those from historically marginalized communities. She is actively seeking to grow her client list and is particularly hungry for magical realism, literary leaning speculative and science fiction, women’s fiction, YA works with a lot of heart, and narrative nonfiction with something to say.

Kat is actively seeking: 

Adult Fiction: High Concept Commercial, Literary, Women’s, Romance, Historical Fiction, Science Fiction/Fantasy

Adult Nonfiction: Narrative, Current Events, Biography, Memoir, Family/Parenting, Self-Help

Children’s: YA Fiction (General, Science Fiction/Fantasy)

To learn more, read our interview with Kat here.

Patricia Nelson has been a literary agent with Marsal Lyon Literary Agency since 2014, representing all genres of young adult and middle grade fiction, as well as women’s fiction and romance. Her clients include bestselling and award-winning authors, and recent sales include books placed with Penguin Random House, HarperCollins, Macmillan, and Simon & Schuster, among others. Patricia holds master’s degrees from the University of Texas at Austin and the University of Southern California and has previously taught literature and writing at the college level.

Patricia is actively seeking: 

Adult Fiction: High Concept Commercial, Women’s, Romance, Historical Fiction

Children’s: YA Fiction (General, Mystery/Thriller/Suspense, Historical Fiction, Science Fiction/Fantasy), MG Fiction (General, Mystery/Thriller/Suspense, Historical Fiction, Science Fiction/Fantasy)

To learn more, read our interview with Patricia here.

Liz Parker heads up the publishing department at Verve Talent & Literary, an agency based in Los Angeles, CA. She represents upmarket and literary fiction, horror, select YA, as well as memoir, sociopolitical, narrative and platform-driven nonfiction. Liz began her career in editorial, serving as an editorial assistant at Viking/Penguin, and ultimately as the publishing director at Counterpoint and Soft Skull Press. She was a scout with Maria B. Campbell Associates, and spent three years with InkWell Management before joining Verve Talent & Literary in April 2018. She’s an avid reader of the beach read, of novels that make her think, and of any unheard voices demanding to be heard. Liz is also the author of ALL ARE WELCOME (Lake Union Press, August 2021).

Liz is actively seeking:

Adult Fiction: High Concept Commercial, Literary, Women’s, Horror

Adult Nonfiction: Narrative, Memoir, Pop Culture

To learn more, read our interview with Liz here.

A Texas native, Leah Pierre moved to the East Coast to pursue her dream of working in publishing. She graduated from Rosemont College in 2019 with her Bachelor’s in English and History. Not long after, she joined the Ladderbird Literary Agency as a Junior Agent in October of the same year. Leah gained her experience through interning for an online literary arts journal, through various mentorships with industry professionals, and through years of research on the industry’s methods, trends, and issues. She is currently pursuing her Master’s in Publishing at her alma mater and is expected to graduate in 2022. Leah spends her time enjoying the company of fictional characters more than people. When not in the company of fictional characters, Leah hangs out with friends and family, cooks, and catches up on movies and tv shows she is always behind on.

Leah is actively seeking:

Adult Fiction: High Concept Commercial, Women’s, Mystery/Thriller/Suspense, Romance, Science Fiction/Fantasy

Children’s: YA Fiction (General, Mystery/Thriller/Suspense, Science Fiction/Fantasy)

To learn more, read our interview with Leah here.

John Rudolph joined Dystel Goderich & Bourret in 2010 after twelve years as an acquiring children’s book editor. He began his career at Simon & Schuster Books for Young Readers as an Editorial Assistant and then moved to the G. P. Putnam’s Sons imprint of the Penguin Young Readers Group, where he eventually served as Executive Editor on a wide range of young adult, middle-grade, nonfiction, and picture book titles. He graduated from Amherst College with a double major in Classics and Music. While John’s list started out as mostly children’s books, it has evolved to the point where it is now half adult, half children’s authors —and he’s looking to maintain that balance. On the children’s side, John is keenly interested in middle-grade and young adult fiction and would love to find the next great picture book author/illustrator. For adults, he is actively looking for narrative nonfiction, especially in music, sports, history, popular science, “big think”, performing arts, health, business, memoir, military history, and humor. He is also interested in commercial fiction, but is very selective in what he takes on.

John will be available for virtual consultations only during the conference weekend and will not be in attendance at the in-person event.

Mariah Stovall joined Howland Literary after working at Writers House, at Farrar, Straus & Giroux and at Gallery Books. She is actively seeking voice-driven, upmarket and literary fiction from the margins, and narrative and reported nonfiction, memoir and essay collections. She loves innovative yet accessible writing and intersectional and interdisciplinary perspectives, particularly on Blackness, mental illness, friendship, pop culture, linguistics, untold histories, biology, neuroscience and food systems. She’s written for The Paris Review, Poets & Writers, Literary Hub, Joyland and Hobart, and is working on her first novel, so she knows firsthand how difficult the querying process can be. She studied literature and linguistics at Pitzer College and is originally from New Jersey.

Mariah will be available for virtual consultations only during the conference weekend and will not be in attendance at the in-person event.

Mariah is actively seeking: 

Adult Fiction: High Concept Commercial, Literary, Women’s, Short Fiction

Adult Nonfiction: Narrative, Current Events, History, Memoir, Pop Culture, Essays 

Martha Wydysh is a graduate of Cornell University and the Columbia Publishing Course. Martha’s first job in agenting was as a literary assistant in subsidiary rights at ICM Partners, helping to sell audiobook and serial rights for all clients at the agency. She came to Trident in 2016 to work as Magazine Rights Associate and Executive Assistant to Ellen Levine, and began building her list in 2019. In addition to working closely with her clients on their book projects, she loves placing their short stories, book excerpts, articles, and essays with magazines and literary journals. She lives in Brooklyn, NY.

Martha is actively seeking: 

Adult Fiction: Literary, Mystery/Thriller/Suspense, Short Fiction

Adult Nonfiction: Narrative, Memoir, Pop Culture, Essays

To learn more, read our interview with Martha here.

Ayla Zuraw-Friedland joined the David Black Agency in 2019. Previously, she worked as an editorial assistant and assistant editor at Beacon Press in Boston, and as a development editor for encyclopedias at Oxford University Press. She received her BA in English and Creative Writing from Connecticut College in 2015, and her writing can be found in GAY the Magazine and Publishers Weekly. She is interested in literary fiction and nonfiction that inspects queer experiences and narratives, and would love to see pitches from BIPOC and disabled writers from a diversity of backgrounds. A few of her favorite contemporary writers are Carmen Maria Machado, Kristen Arnett, Hanif Abdurraqib, Helen Oyeyemi, Daniel M. Lavery, Raven Leilani, Candice Carty-Williams, Kacen Callendar, Alexander Chee, Akwaeke Emezi, and Samantha Irby. Her current clients include Jamie Hood (HOW TO BE A GOOD GIRL, Grieveland 2020), Haley Jakobsen, Ross Showalter, Aimee Keeble, Margaret Lee, Sarah Hartshorne, and others.

Ayla is actively seeking:

Adult Fiction: Literary, Historical Fiction, Short Fiction, Poetry 

Adult Nonfiction: Narrative, History, Biography, Memoir, Pop Culture, Essays 

To learn more, read our interview with Ayla here.

The 2021 A&E Conference will include book editors from a notable list of reputable publishing houses.  

Caroline Bleeke HeadshotCaroline Bleeke, Senior Editor, publishes literary and upmarket fiction at Flatiron Books, with an emphasis on underrepresented voices, historical fiction, clever retellings, family sagas, coming-of-age stories, innovative structure and style, writing with a strong sense of place, and heart. Her list includes Angie Cruz’s Dominicana (finalist for the Women’s Prize), Charlotte McConaghy’s Migrations (#1 IndieNext Pick and Amazon’s Best Novel of the Year), Yangsze Choo’s The Night Tiger (New York Times bestseller and Reese’s Book Club x Hello Sunshine Pick), Anuk Arudpragasam’s The Story of a Brief Marriage (winner of the DSC Prize for South Asian Literature), and forthcoming work by Printz Award winner Nina LaCour, Bronx Book Festival founder Saraciea Fennell, National Book Foundation 5 Under 35 Honoree Melinda Moustakis, and University of Wyoming MFA graduate Jenny Tinghui Zhang. She began her career at Alfred A. Knopf and holds a Master’s degree in Eighteenth-Century and Romantic Literature.

Caroline will be available for virtual consultations only during the conference weekend and will not be in attendance at the in-person event.

Caroline is actively seeking:

Adult Fiction: High Concept Commercial, Literary, Women’s, Historical Fiction, Short Fiction

To learn more, read our interview with Caroline here.

Amara Hoshijo is an editor at Saga Press who acquires science fiction, fantasy, and horror. She loves ambitious, culturally driven projects with layered, immersive secondary worlds. Prior to joining Saga, Amara was an editor at Soho Press, where she specialized in international crime fiction and speculative literary fiction for more than eight years. She also managed the company’s subrights initiative and is a former Frankfurt Fellow. Authors she has worked with include Chana Porter, Clarissa Goenawan, Chris McKinney, and Andromeda Romano-Lax.

Amara is actively seeking:

Adult Fiction: Science Fiction/Fantasy, Horror

To learn more, read our interview with Amara here.

Jill Meyers HeadshotJill Meyers is the editorial director of A Strange Object, an Austin-based imprint dedicated to publishing powerful stories and stirring debuts in literary fiction. Titles from A Strange Object have appeared on NPR’s Best Books of the Year list and won a number of industry awards, including The Believer Book Award. Formerly, Jill served as editor for the celebrated literary magazine American Short Fiction. Jill is also the cofounder and chair of Lit Crawl Austin, a freewheeling literary showcase now in its eleventh year, and she serves on the advisory board for the Texas Book Festival. She holds degrees from Stanford University and the University of Houston. 

Jill is actively seeking: 

Adult Fiction: Literary, Short Fiction

Adult Nonfiction: Narrative, Essays 

To learn more, read our interview with Jill here.

The 2021 A&E Conference will include presentations by notable authors and industry professionals.

Please note: This is not a complete list of panelists and presenters who will be attending the 2021 A&E Conference. Check back in for updates.

Usha Akella has authored nine books that include poetry, one chapbook and two musical dramas. Her latest poetry volume is published by the noted feminist press Spinifex, Australia. She earned an MSt. in Creative Writing from the University of Cambridge, UK. She is the founder of Matwaala the first South Asian Diaspora Poets Festival in the USA (www.matwaala.com) and www.the-pov.com, a website of curated interviews. She was selected as a Creative Ambassador for the city of Austin in 2019 & 2015. She is widely anthologized and has been invited to numerous international poetry festivals all over the world.

Kendra Allen PhotoKendra Allen is the author of award winning essay collection When You Learn The Alphabet and poetry collection The Collection Plate. Born and raised in Dallas, TX, she loves laughing and leaving. Her work can be found on and in Repeller, Southwest Review, Frontier, The Rumpus, and more.
 
 
Dalia Azim headshotBorn in Canada, Dalia Azim is an Egyptian-American writer whose work has appeared in American Short Fiction, Aperture, Columbia: A Journal of Literature and Art, Glimmer Train (where she received their Short Story Award for New Writers), Other Voices, Alcalde, and Sightlines, among other places. Her first novel, COUNTRY OF ORIGIN, will be published by A Strange Object/Deep Vellum in March 2022. She is the manager of special projects at the Blanton Museum of Art.
 
Cinelle Barnes is a formerly undocumented memoirist, essayist, and educator from Manila, Philippines, and is the author of MONSOON MANSION: A MEMOIR (Little A, 2018, Booklist starred review) and MALAYA: ESSAYS ON FREEDOM (Little A, 2019), and the editor of the New York Times New & Noteworthy book, A MEASURE OF BELONGING: 21 WRITERS OF COLOR ON THE NEW AMERICAN SOUTH (Hub City Press, 2020). Cinelle earned an MFA in Creative Nonfiction from Converse College. Her writing has appeared or been featured in the New York Times, Longreads, Garden & Gun, Electric Literature, Buzzfeed Reader, Literary Hub, Hyphen, and CNN Philippines, among others. Her essay, “Carefree White Girls, Careful Brown Girls”, is anthologized in A Map Is Only One Story: Twenty Writers on Immigration, Family, and the Meaning of Home (Catapult, 2020). Cinelle is a contributing editor, instructor, and writer at Catapult. Cinelle’s work has received fellowships and grants from the Sustainable Arts Foundation, VONA, Kundiman, the John and Susan Bennett Memorial Arts Fund, the Lowcountry Quarterly Arts Grant, and Capita. Her debut memoir was listed as a Best Nonfiction Book of 2018 by Bustle and nominated for the 2018 Reading Women Nonfiction Award. She is the 2021 Vulgar Geniuses Nonfiction Honorary Awardee for her writing and social justice work and 2021 writer-in-residence at Pasadena City College, and was a Focus Fellowship artist-in-residence at AIR Serenbe in 2020, a short-term writer-in-residence at City of Asylum in 2019, and the 2018-19 writer-in-residence at the Halsey Institute of Contemporary Art in Charleston, SC, where she and her family live. In 2021, Cinelle was named one of 50 Most Influential by Charleston Business, joining thought leaders in state and local politics, the arts, academia, activism, healthcare, and business. She is currently at work on a nonfiction narrative book on climate justice, the Philippine water crisis, and Philippine spirituality and folklore.
 
Matt Bell headshotMatt Bell’s latest novel, Appleseed, was published by Custom House in July 2021. His craft book Refuse to Be Done, a guide to novel writing, rewriting, & revision, will follow in March 2022 from Soho Press. He is also the author of the novels Scrapper and In the House upon the Dirt between the Lake and the Woods, as well as the short story collection A Tree or a Person or a Wall, a non-fiction book about the classic video game Baldur’s Gate II, and several other titles. His writing has appeared in The New York Times, Esquire, Tin House, Conjunctions, Fairy Tale Review, American Short Fiction, and many other publications. A native of Michigan, he teaches creative writing at Arizona State University.
 
Sindya Bhanoo headshotSindya Bhanoo is the author of the story collection Seeking Fortune Elsewhere, forthcoming in 2022 (Catapult). Her fiction has appeared in Granta, New England Review, Glimmer Train, and elsewhere. She is the recipient of an O. Henry Award, the Disquiet Literary Prize and scholarship from the Bread Loaf and Sewanee Writers Conferences. A longtime newspaper reporter, Sindya has worked for The New York Times and The Washington Post and was most recently a Knight-Wallace Reporting Fellow at the University of Michigan. She currently teaches at the Michener Center for Writers. She is a graduate of Carnegie Mellon University, UC Berkeley’s Graduate School of Journalism and the Michener Center for Writers.
 

Candace Buford headshotCandace Buford has been an avid reader since childhood—always looking for stories with strong and complex POCs. She graduated from Duke University with a degree in German Literature, which exposed her to the delightfully creepy side of storytelling by writers like Kafka and Brecht. She also holds a law degree from Penn State Law School and a business degree from Duke’s Fuqua School of Business. Raised in Houston, Candace currently lives in the heart of Seattle, where you can find her huddled in café corners, scribbling away in her notebook. She is the author of Kneel, a contemporary young adult novel about social justice, and the author of middle grade novel Whatever Happens, a Julie and the Phantoms original story. She shares her life with a rocket scientist and a Plott Hound, who both ensure there is never a dull day. Follow her on Twitter and Instagram, @candacebuford.

Maurice Chammah is a journalist and the author of Let the Lord Sort Them: The Rise and Fall of the Death Penalty, which was published by Crown in 2021 and previously won the J. Anthony Lukas Work-In-Progress Book Award. He is a staff writer at The Marshall Project, a nonprofit news organization focused on the U.S. criminal justice system, and his work has been published by The New Yorker, The New York Times, The Atlantic, and Texas Monthly. He also co-directs the Insider Prize, a contest for incarcerated writers sponsored by American Short Fiction. He lives in Austin, Texas.

When it comes to romance, Madeleine Colavita is a bit of a late-bloomer, having not discovered the genre until she was a publishing intern. But she’s been making up for lost time, consuming every happily-ever-after she can get her hands on. Since joining the Forever team in 2013, she’s had the pleasure of working with many bestselling and critically acclaimed writers including Bethany Bennett, Christina Britton, Belle Calhoune, Sajni Patel, Reese Ryan, and Karelia Stetz-Waters, among others. As an editor, Madeleine is looking for fun, fresh, diverse voices across all subgenres of romance—especially historical, cowboy, and small-town contemporary—as well as in romantic comedies and women’s fiction. She wants to be surrounded by characters who mostly make her laugh, only occasionally make her cry, and always make her believe in true love. When not helping her authors craft HEAs, she enjoys baking, watching old movies, and needlepointing Christmas ornaments.

Taylor Crumpton is the Online Arts and Entertainment Editor at D Magazine. She manage the Music, Theater & Dance, Fine Arts, Film and weekly Things To Do listicle for the site’s 1.3 million users. As the first Black Women in the Arts and Entertainment Editor position, she uses her platform to elevate historically overlooked communities who are innovating Dallas’ rich and culturally vibrant arts culture. Prior to joining D magazine, Taylor was a music, politics and pop culture writer, who published a book essay under HALFWAY BOOKS, an independent publishing venture, started by New York Times bestselling author Shea Serrano.

Sean Desmond is the publisher of Twelve, an imprint of Grand Central, and has been in the publishing world for more than twenty-five years. His first novel, Adams Fall, was published in 2000 and was adapted into the film Abandon. This past year, he published his second novel, Sophomores, with Putnam BooksHe lives in Brooklyn, New York.

Award winning novelist and filmmaker Owen Egerton is the author of a number of books including The Book of Harold the Illegitimate Son of God, How Best to Avoid Dying, and the PEN Southwest Book Award winner Hollow, which was named one of NPR’s Best Books of 2017. He is also the writer/director of several films including Mercy Black (Blumhouse, Universal, Netflix), and the horror comedy Blood Fest (Rooster Teeth, Warner Media). As a screenwriter, Egerton has written for Fox, Warner Bros, and Disney. He is one of the talents behind the Alamo Drafthouse’s long-running comedy show Master Pancake Theater and host of the One Page Salon reading series. Egerton has been voted Austin’s Best Author six times by readers of The Austin Chronicle.

Fernando A. Flores was born in Mexico and is the author of Tears of the Trufflepig and Death to the Bullshit Artists of South Texas. He lives in Austin, Texas.
 
 
 
 
Reyna Grande is the author of Across a Hundred Mountains, Dancing with Butterflies, The Distance Between Us, A Dream Called Home, and two forthcoming books—A Ballad of Love and Glory and Somewhere We Are Human: Authentic Voices on Migration, Survival and New Beginnings. She has received an American Book Award, the El Premio Aztlán Literary Award, the Luis Leal Award for Distinction in Chicano/Latino Literature, and she was a finalist for the National Book Critics Circle Award. Writing about immigration, family separation, language trauma, the price of the American Dream, and her writing journey, Reyna’s work has appeared in The New York Times, the Dallas Morning News, CNN, The Lily at The Washington Post, Buzzfeed, among others. In March 2020, she was a guest in Oprah’s Book Club.
 
P. J. (Tricia) Hoover wanted to be a Jedi, but when that didn’t work out, she became an electrical engineer instead. After a fifteen year bout designing computer chips for a living, P. J. started creating worlds of her own. She’s the award-winning author of The Hidden Code, a Da Vinci Code-style young adult adventure with a kick-butt heroine, and Tut: The Story of My Immortal Life, featuring a fourteen-year-old King Tut who’s stuck in middle school. When not writing, P. J. spends time practicing kung fu, fixing things around the house, and solving Rubik’s cubes. For more information about P. J. (Tricia) Hoover, please visit her website www.pjhoover.com.
 

Gabino Iglesias is a writer, journalist, professor, and literary critic living in Austin, TX. He is the author of ZERO SAINTS and COYOTE SONGS and the editor of BOTH SIDES and HALLDARK HOLIDAYS. His work has been nominated twice to the Bram Stoker Award as well as the Locus Award and won the Wonderland Book Award for Best Novel in 2019. His nonfiction has appeared in the New York Times, the Los Angeles Times, Electric Literature, LitReactor, and other venues. His reviews appear regularly in places like NPR, Publishers Weekly, the San Francisco Chronicle, the Boston Globe, Criminal Element, Mystery Tribune, Vol. 1 Brooklyn, the Los Angeles Review of Books, and other print and online venues. He’s been a juror for the Shirley Jackson Awards twice and has judged the PANK Big Book Contest, the Splatterpunk Awards, the Newfound Prose Prize, and the 2021 FIU Student Literary Awards, among others. He has offered writing workshops through the Writers’ League of Texas, the Lighthouse Writers Workshop, HubCity Press, the Las Vegas Writers Lounge, Stories on Stage Sacramento, and other institutions. He has offered keynotes at various institutions and events, including the Lighthouse Book Project, ARRTCon, the inaugural POP_UP Academic Conference on Popular Culture, and the Revolve Creative Conference. In 2021, he received the Horror Writer’s Association Diversity Grant. Iglesias is a member of the Horror Writers Association, the Mystery Writers of America, and the National Book Critics Circle. He teaches creative writing at Southern New Hampshire University’s online MFA program. You can find him on Twitter at @Gabino_Iglesias.

Mitchell S. Jackson is the winner of the 2021 Pulitzer Prize in Feature Writing and the 2021 National Magazine Award in Feature Writing. Jackson’s debut novel The Residue Years received wide critical praise and won a Whiting Award and The Ernest J. Gaines Prize for Literary Excellence. The Residue Years was also a finalist for The Center for Fiction Flaherty-Dunnan First Novel Prize, the PEN / Hemingway Award for Debut Fiction, and the Hurston / Wright Legacy Award. Jackson’s other honors include fellowships, grants, and awards from the John Simon Guggenheim Foundation, Creative Capital, the Cullman Center of the New York Public Library, the Lannan Foundation, the Ford Foundation, PEN America, TED, the New York Foundation for the Arts, and the Center for Fiction. His writing has been featured on the cover of the New York Times Book Review, Time, Esquire, and Marie Claire, as well as in The New Yorker, Harpers, The New York Times, The Paris Review, The Guardian, The Washington Post Magazine, Harper’s Bazaar, and elsewhere. Jackson’s nonfiction book Survival Math: Notes on an All-American Family was published in 2019 and named a best book of the year by fifteen publications, including NPR, Time, The Paris Review, The Root, Kirkus Reviews, and Buzzfeed. His next novel John of Watts will be published by Farrar, Straus and Giroux. Jackson covers race and culture as the first Black columnist in the history of Esquire. He is the John O. Whiteman Dean’s Distinguished Professor in the English Department of Arizona State University.

Jackson is also a well-regarded speaker who has delivered lectures and keynote addresses all over the world, including the annual TED Conference, the Ubud (Bali) Writers and Readers Festival, and the Sydney Writers’ Festival, as well as at esteemed institutions, among them Yale University, Brown University, Cornell University, and Columbia University. A formerly incarcerated person, Jackson is also a social justice advocate who engages in outreach in prisons and youth facilities in the United States and abroad.

Brittan Jensen headshotBritta Jensen’s debut novel, Eloia Born, won the 2019 Writer’s League of Texas YA Discovery Prize and was long-listed for the Exeter Novel Prize. Reviewers are calling the book “both a dystopian narrative and a quest story; consider it a spiritual successor to Lois Lowry’s The Giver and M. Night Shyamalan’s The Village.” The sequel, Hirana’s War released October 1, 2020. Her stories explore themes of persevering through disability, parental separation and the intersection of various cultures on new worlds. Her novella, Ghosts of Yokosuka released this year and her subversive retelling of Hamlet and Ophelia’s story will be forthcoming in the Castle Anthology of Horror- Femme Fatales this October. She earned a BA in Acting Performance from Fordham University and an MA in Teaching of English Literature from Columbia University. For the past seventeen years she has taught creative writing and edited books for both traditional and indie authors. Friends often refer to her as a polyglot—which is a product of living twenty-two years overseas in Japan, South Korea, and Germany before settling in Austin, Texas. She enjoys mentoring writers and editing books with The Writing Consultancy and Yellowbird Editors and teaches freshman composition at St. Edwards University. Learn more about her work at www.britta-jensen.com.

Varian Johnson headshotVarian Johnson is the author of several novels for children and young adults, including THE PARKER INHERITANCE, which won both Coretta Scott King Author Honor and Boston Globe/Horn Book Honor awards; THE GREAT GREENE HEIST, an ALA Notable Book for Children and Kirkus Reviews Best Book; and the graphic novel TWINS, illustrated by Shannon Wright, which won a BCALA Children & Youth Literary Award for best graphic novel and was named an Eisner Award nominee. His newest novel, PLAYING THE CARDS YOU’RE DEALT, is forthcoming this fall. Originally from Florence, South Carolina, he received an MFA in writing for children and young adults from Vermont College of Fine Arts and is honored to now be a member of the faculty. Varian currently lives outside of Austin, Texas, with his family.

Sarah Kasbeer is the author of A Woman, a Plan, an Outline of a Man (2020), selected by Alice Bolin as the winner of the Zone 3 Press Creative Nonfiction Award. Described by Kirkus Reviews as “a series of deeply personal and thought-provoking essays” in a starred review, her debut collection was named a creative nonfiction medalist in the Independent Publisher Book Awards (IPPYs) and a most anticipated book by The Millions and Refinery29. Sarah is a features editor at The Rumpus, a Tin House Winter Workshop alum, and has taught personal essay at the Creative Nonfiction Foundation. Her essays have appeared in Creative Nonfiction, The Cut, Dissent, Elle, Guernica, Longreads, The Normal School, and many other places. Her writing has also received notable mention by The Best American Essays and a Pushcart Prize nomination. Born and raised in Illinois, she currently lives New York City where she’s at work on her first novel.

Samantha Mabry was born four days before the death of John Lennon. She grew up in Dallas, playing bass guitar along to vinyl records in her bedroom after school, writing fan letters to rock stars, doodling song lyrics into notebooks, and reading big, big books. In college at Southern Methodist University, she majored in English literature, minored in Spanish, and studied Latin and classics. After that, she went on to receive a master’s degree in English from Boston College.
 
These days, she teaches college-level composition in Dallas and spends as much time as possible in the West Texas desert. A FIERCE AND SUBTLE POISON (Algonquin Young Readers, spring 2016) was her first novel. ALL THE WIND IN THE WORLD, a Western, was published in the fall of 2017 and was nominated for the National Book Award for Young Peoples’ Literature. TIGERS, NOT DAUGHTERS released in the spring of 2020. It received six starred trade reviews and was the winner of both the Reading the West award and Writers’ League of Texas award.

Alison Macor
received a Public Scholars grant from the National Endowment for the Humanities for her forthcoming book “The Best Years of Our Lives: The Hollywood Classic That United a Nation” (University of Texas Press, 2022), about the making of the 1946 blockbuster. She’s also the author of “Rewrite Man: The Life and Career of Screenwriter Warren Skaaren” (UT Press, 2017) and “Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas,” which won the 2012 Peter C. Rollins Book of the Year Award. She holds a PhD in film history, taught for more than 20 years, and is a former film critic. She currently works as a freelance writer and ghostwriter.
 

Courtney Maum headshotCourtney Maum is the author of the novels Costalegre (a GOOP book club pick and one of Glamour Magazine’s top books of the decade), I Am Having So Much Fun Here Without You and Touch (a New York Times Editor’s Choice and NPR Best Book of the Year selection)the popular guidebook Before and After the Book Deal: A writer’s guide to finishing, publishing, promoting, and surviving your first book, and the forthcoming memoir, The Year of the Horses. A nominee for the Joyce Carol Oates Prize, Courtney’s writing has been widely published in such outlets as the New York Times, and O, the Oprah Magazine, and her short story This is Not Your Fault was turned into an Audible Original at Amazon. Courtney is the founder of the artist residency, The Cabins, and she privately coaches writers on how to preserve the mystery and joy of the creative process in a culture that wants artists to become brands. You can sign up for her free writing newsletter at CourtneyMaum.com

Jedah Mayberry was raised in southeastern CT, the backdrop for his fiction debut. The Unheralded King of Preston Plains Middle won Grand Prize in Red City Review’s 2015 Book Awards and was named 1st in Multi-Cultural Fiction for 2014 by the Texas Association of Authors. In 2018, he completed a Hurston-Wright Foundation Workshop in Fiction. A second book, Sun Is Sky, due from Jacaranda Books. His work has appeared at Linden Avenue, Brittle Paper, Black Elephant, Akashic Fri-SciFi Series, Solstice Magazine, Permission to Write, and A Gathering Together among others. Jedah resides with his wife and daughters in Austin, TX.
 

Anna Meriano is the author of the Love Sugar Magic series and This Is How We Fly. She graduated from Rice University with a degree in English and earned her MFA in creative writing with an emphasis in writing for children from the New School in New York. She works as a writing teacher and tutor in her hometown of Houston. Anna likes reading, knitting, and playing full-contact quidditch. Her work can also be found in the anthologies Up All Night, Living Beyond Borders, and Game On.

Leonard N. Moore is the George Littlefield Professor of American History at the University of Texas at Austin. He is a native of Cleveland, Ohio, who earned his undergraduate degree from Jackson State University in 1993 and his Ph.D. from The Ohio State University in 1998. This is his 24th year in the classroom as a professor, having first been at LSU from 1998-2007, and he has been at UT since 2007. At Texas he teaches more than 1,000 students every fall semester in his two undergraduate courses and he directs study abroad programs in Dubai, Beijing, and Cape Town, South Africa. He is the author of four books on black politics and his current project is a full-length film that chronicles the 1935 lynching of a family member in Washington Parish, Louisiana. He is married with three teen-aged kids.

Sajni Patel headshotAward-winning author, Sajni Patel, was born in vibrant India and raised in the heart of Texas. She draws on personal experiences, cultural expectations, and southern flair to create worlds centered around strong Indian women. Once in MMA, she’s now all about puppies, rainbows, and tortured love stories. She divides her time between Hawai’i (where honu is her #1 obsession) and Austin (where she not-so-secretly watches Mathew McConaughey from afar during UT football games.) Queso is her weakness and thanks to her family’s cooking, Indian/Tex-Mex cuisine is a real thing. She’s a die-hard Marvel Comics fan, an ube fanatic, and is always wrapped up in a story. Her debut, The Trouble with Hating You, was featured in Tribeza: Austin Curated and Austin Woman’s Magazine, and was on the cover of AudioFile Magazine as one of the best audiobooks of 2020. Her works have been included in Best Of lists for Oprah Magazine, The Insider, Cosmo, PopSugar, and featured in Teen Vogue, NBC, Apple Books, BookList, and Buzzfeed.

Maya Perez HeadshotAn award-winning television producer and screenwriter, Maya Perez‘s screenplays have been recognized by fellowships from SFFILM/Westridge, Sundance Institute, and NY Stage & Film. Her feature screenplay TALIESIN is being produced by Tangerine Entertainment’s Amy Hobby and Anne Hubbell. Her short stories and essays have been published in American Short Fiction, Joyland, Electric Lit, Misadventures, The Masters Review, and more. Maya is an executive producer on the television series “On Story,” which premiered its eleventh season on PBS in April 2021 and airs in 85% of the nation. Nominated for a 2019 Lone Star EMMY Award®, On Story won a Lone Star EMMY Award® for Best Interview/Discussion Program Series in 2018 and for Best Arts/Entertainment Program in 2014. She is also co-editor of three collections of interviews with filmmakers published by University of Texas Press. Maya teaches at Michener Center for Writers and The University of Texas at Austin in the Radio-TV-Film Department.

Ursula Pike HeadshotUrsula Pike is an author and creative writing instructor living in Austin, Texas. Her debut memoir AN INDIAN AMONG LOS INDÍGENAS: A NATIVE TRAVEL MEMOIR was listed as one of Ms. Magazine’s Most Anticipated Reads for the Rest of Us 2021. She is a graduate of the MFA program at the Institute of American Indian Arts and her writing has appeared in Yellow Medicine Review, LitHub, World Literature Today, and Ligeia Magazine. Ursula has been featured in Austin Monthly, the Texas Standard, and Poets & Writers Magazine. She served as a Peace Corps volunteer in Bolivia from 1994 to 1996. An enrolled member of the Karuk Tribe, she grew up between Daly City, California, and Portland, Oregon. For more information visit ursulapike.com.

John Pipkib B&W headshotJohn Pipkin is the author of the critically-acclaimed novels: The Blind Astronomer’s Daughter (Bloomsbury 2016), and Woodsburner (Nan A Talese/Doubleday 2009) which won the New York Center for Fiction First Novel Prize, The Massachusetts Center for the Book Prize, and the Texas Institute of Letters Steven Turner Award for First Work of Fiction. He is currently the Director of the Undergraduate Creative Writing Program at the University of Texas-Austin and also teaches in the low-residency MFA Program at Spalding University. Originally from Baltimore, he holds a Ph.D. in 19th-century British Literature from Rice University and has received fellowships to MacDowell, Yaddo, Dobie-Paisano, and the Gullkistan Center for Creativity in Iceland. He recently received the 2021 Harry Ransom Award for Excellence in Teaching at UT-Austin.

Richard Santos HeadshotRichard Z. Santos is the author of the novel Trust Me, which was named one of the ten best debuts of 2020 by Crime Reads. He is the editor of a forthcoming anthology of Latinx horror stories to be published in 2022. He is currently Executive Director of Austin Bat Cave, a literary nonprofit in Austin that provides creative writing workshops for students in under-resourced areas. He received an MFA from Texas State University. He is a previous board member of the National Book Critics Circle, judged the 2019 Kirkus Nonfiction Prize, the 2020 Acacia Prize, and has read for The National Endowment of the Arts and other national competitions. His fiction, essays and reviews have appeared in multiple publications, including Pank, Texas Monthly, Salt Hill, Kirkus Reviews, The Rumpus, The Morning News, Cosmonauts Avenue, and many more. Previously, he worked for labor unions, political campaigns, and consulting firms in Washington DC and was a high-school English and Social Studies teacher.

Gordy Sauer HeadshotGordy Sauer is a native Texan and transplant Missourian. He holds an MFA from Columbia University. His writing has appeared in Narrative Magazine and Boulevard, among other places, and it has received support from the Vermont Studio Center. A lifelong educator, he has taught snowboarding, fly fishing, creative writing, and now works as a speechwriter at the University of Missouri. Child in the Valley is his first novel.

Chaitali Sen is the author of the novel The Pathless Sky (Europa Editions 2015) and the short story collection A New Race of Men from Heaven, which won the Mary McCarthy Prize for Short Fiction and will be published by Sarabande Books in January 2023. Her stories and essays have appeared in Boulevard, Ecotone (receiving a special mention in the 2019 Best American Short Stories Anthology), Shenandoah, New England Review, New Ohio Review, Colorado Review, Electric Literature, LitHub, Los Angeles Review of Books, Catapult, and many other publications. She holds an MFA from Hunter College.

Adam Soto is web editor at American Short Fiction. He holds an MFA from the Iowa Writers’ Workshop and is a former Michener-Copernicus Foundation Fellow. He lives with his wife in Austin, TX, where he is a teacher and a musician. His debut novel, This Weightless World, a work of literary science fiction Kirkus Reviews calls “…a touching meditation on humanity,” will be available Nov. 9 from Astra House. Concerning Those Who Have Fallen Asleep, Soto’s collection of award-winning ghost stories, is forthcoming from Astra House fall 2022. adamsotowriter.com / @adjoso / IG: adamjsoto
 

Stacey Swann headshotStacey Swann’s debut novel Olympus, Texas—published in 2021 by Doubleday, W&N (UK), and Bompiani (Italy)—was a Good Morning America Book Club pick, an Indie Next selection, and longlisted for the Center for Fiction First Novel Prize. Swann holds an M.F.A. from Texas State University and was a Stegner Fellow at Stanford University. Her stories have appeared in Epoch, Memorious, Versal, and other journals, and she is a contributing editor of American Short Fiction.

Sherry Thomas headshotUSA Today-bestselling author Sherry Thomas decided years ago that her goal in life is to write every kind of book she enjoys reading. Thus far she has published romance, fantasy, mystery, young adult, and three books inspired by the martial arts epics she grew up devouring. Her books regularly receive starred reviews and best-of-the-year honors from trade publications. The first three entries in her gender-bending Lady Sherlock historical mystery series are all NPR best books of the year. Sherry emigrated from China at age 13 and English is her second language.  

James Wade lives and writes in the Texas Hill Country with his wife and daughter. His debut novel, All Things Left Wild, won the Western Writers of America Spur Award for Best Historical Novel and the MPIBA’s Reading the West Award for Best Debut Fiction. His second novel, River, Sing Out, was released in the summer of 2021. James is also a winner of the Writers’ League of Texas Manuscript Contest, and a finalist of the Tethered by Letters Short Fiction Contest.
 
S. Kirk Walsh is a novelist, an editor, and a teacher based in Austin, Texas. Her debut novel, The Elephant of Belfast, inspired by true events that took place in Belfast, Northern Ireland, during World War II, was published by Counterpoint Press in April. The novel has generated praise from The New Yorker, The Christian Science Monitor, and others as well as being selected for several top reading lists. It was published as The Zookeeper of Belfast by Hodder/Hachette (the UK, the Commonwealth, and Ireland) in April 2021 (and forthcoming in December 2021). The novel will be translated for foreign editions in Romania and Norway. Walsh is now working on a second novel inspired by events that took place in Detroit during the 1930s and 1940s. Over the years, her fiction, essays, and book reviews have been published in the New York Times Book Review, the Virginia Quarterly Review, Story Quarterly, Guernica, Longreads, Virginia Quarterly Review, San Francisco Chronicle, Los Angeles Review of Books, among others. She has been a resident at Ucross, Virginia Center for the Creative Arts, Ragdale, and Yaddo. Walsh is the founder of Austin Bat Cave, a writing & tutoring center for kids.
 
A native of West Texas, Elizabeth Wetmore‘s short fiction has appeared in the Kenyon Review, Colorado Review, Epoch, and other journals. A recent story, ‘This Is Going to Hurt,’ was commissioned by BBC Radio 4 and can be heard on the program ‘Short Works’ (https://www.bbc.co.uk/programmes/m000yv9m). Her debut novel, Valentine (Harper, March 2020), was named a Best Book of the Year by Amazon, The Washington Post, Barnes and Noble, and BuzzFeed. It was shortlisted for the Crook’s Corner Book Prize and the 2020 Grand Prix de Littérature Américaine, and is a finalist for the Dayton Literary Peace Prize as well as the Texas Institute of Letters’s Sergio Troncoso Award for Best First Book of Fiction. Valentine won the Chicago Writer’s Association’s Book of the Year Award. In addition to writing fiction, Elizabeth has earned her living by (briefly) painting silos and cooling towers at a petrochemical plant, waiting tables and tending bar, teaching English and working as freelance copyeditor. She has also worked as a temp, barista, classical music announcer, and bookseller. A graduate of the Iowa Writers’ Workshop, she is a recipient of a fellowship from the National Endowment for the Arts and two fellowships from the Illinois Arts Council as well as a grant from the Barbara Deming Foundation. She lives in Chicago with her husband and son.
 
Laekan Zea Kemp headshotLaekan Zea Kemp is a writer living in Austin, TX. She’s also the creator and host of the Author Pep Talks podcast, as well as a contributor to the Las Musas podcast. She has three objectives when it comes to storytelling: to make people laugh, cry, and crave Mexican food. Her work celebrates Chicanx grit, resilience, creativity, and joy while exploring themes of identity and mental health. Her debut novel, SOMEWHERE BETWEEN BITTER & SWEET was released by Little Brown Young Readers on April 6th, 2021.

The 2021 A&E Conference will include a Saturday Keynote Luncheon session with author Courtney Maum. 

All luncheon attendees will receive a complimentary copy of Courtney’s book, Before and After the Book Deal: A writer’s guide to finishing, publishing, promoting, and surviving your first book, with a signing to follow the luncheon.

 

Courtney Maum headshotCourtney Maum is the author of the novels Costalegre (a GOOP book club pick and one of Glamour Magazine’s top books of the decade), I Am Having So Much Fun Here Without You and Touch (a New York Times Editor’s Choice and NPR Best Book of the Year selection), the popular guidebook Before and After the Book Deal: A writer’s guide to finishing, publishing, promoting, and surviving your first book, and the forthcoming memoir, The Year of the Horses. A nominee for the Joyce Carol Oates Prize, Courtney’s writing has been widely published in such outlets as the New York Times, and O, the Oprah Magazine, and her short story This is Not Your Fault was turned into an Audible Original at Amazon. Courtney is the founder of the artist residency, The Cabins, and she privately coaches writers on how to preserve the mystery and joy of the creative process in a culture that wants artists to become brands. You can sign up for her free writing newsletter at CourtneyMaum.com

CANCELLATION POLICY:

All cancellations will incur a $50 cancellation fee.

Through August 8, 2021: 100% refund available minus the cancellation fee.

August 9 – August 31, 2021: 50% refund available minus the cancellation fee. This applies to the registration only; there are no refunds for the keynote luncheon or one-on-one consultations that have been purchased individually. 

After August 31, 2021: No refunds will be made, but registrants can transfer their registration to another person as long as advance notice is given to the WLT. If you wish to transfer your registration, please email us at wltconference@writersleague.org or call 512-499-8914.

NOTE: If you register for the in-person option and find that you are no longer able to attend the in-person event, you are welcome to switch to the virtual option, but you will not be eligible for a virtual one-on-one consultation. You will still receive access to the recordings and to all pre-conference events. 

COVID PROTOCOLS: 

The WLT will be following the guidelines and protocols of our conference venue, the Hyatt Regency Austin, as well as any recommendations, orders, or restrictions from local government at the time of the event. 

Read our full COVID Guidelines and Anti-Harassment Policy here.

Any updates to guidelines and protocols will be added here and shared with all current conference registrants via email.

Programs from Past A&E Conferences